As an artist, I am fascinated by the relationship between concealment and discovery—what the self or society chooses to hide, protect, or actively seek, and the meaning that emerges between lines and layers. Growing up in Mississippi, I became familiar with a landscape where painful truths often exist beneath beautiful antebellum architecture, where history is both visible and obscured. That tension continues to shape my work. My practice uses water-based brush pens to create vibrant colors, fading gradients, and ambiguous layered forms to explore the dichotomy between appearance and deeper truths. While bright colors and patterns evoke energy, spontaneity, and alertness, their oversaturation can overwhelm perception, suppressing our ability to see clearly. Through conflicting patterns and movements, I create visual experiences that hypnotize or unsettle the viewer, concealing imagery hidden within.

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My collection, Form over Experience, examines the gap between surface and substance. The vibrant, Pop-inspired aesthetic reflects the corporatization of art, where meaning is often reduced to immediate visual impact and instant gratification. Yet, embedded within loud colors, overlapping lines, and shifting forms are images of all-consuming desire, palpable anxiety, and unrealized dreams. Once perceived, these truths are difficult to ignore, prompting a deeper search beneath the surface. The recurring presence of women serves as an analogy for the conflict between what is suppressed and what is allowed to be seen. Camouflaged by color and form, they resist superficial archetypes and gradually emerge as more than passive objects. They are thinking, feeling subjects whose expressions reveal the complexity hidden beneath appearances.

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